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Puerto Ricans

Among the first Puerto Ricans to settle in New York were traders in sugar, rum, tobacco, and molasses who during the 17th and 18th centuries established an important commercial link between the island and the city. Between the 1860s and the 1890s, New York became a haven for political exiles whose purpose was to make Puerto Rico independent from Spain. Most Puerto Rican independence organizations were disbanded in 1898 after the island was surrendered to the United States at the end of the Spanish-American War. Toward the end of the 19th century, cigar makers built settlements in Chelsea and on the Lower East Side near Spanish-owned tobacco factories. One such area was Cherry Street.1

Many working-class Puerto Ricans moved to the New York City in the first decades of the 20th century to escape economic hardship in Puerto Rico. After receiving American citizenship under the Jones Act of 1917, over 10,000 Puerto Ricans migrated. Settling primarily in East Harlem, most worked for low wages in light and heavy industry, domestic service, cigar factories, hotels, restaurants, and laundries. During the 1920s, 60% of working Puerto Ricans in New York were employed in the tobacco industry.2

Puerto Ricans were numerically the largest Hispanic group to migrate to New York City between 1945 and 1970, traveling largely by plane. They settled in the barrios of East Harlem, the Lower East Side (Loisaida), and the South Bronx, where housing was severely crowded and in disrepair. There they took jobs in the city's garment industry or in unskilled occupations. These arrivals discovered a New York struggling with a changing economy as formerly thriving manufacturing concerns relocated to other locations in the U.S. or abroad. Employment opportunities in light manufacturing, such as the garment industry, were bleak as thousands of jobs left the city. During the years of the city's deteriorating economic situation, many Puerto Ricans struggled to make ends meet. The 1990 U.S. Census reported that the median family income for Puerto Ricans was about half that of the rest of New Yorkers and that many Puerto Ricans continued to live in poverty.3

Despite these obstacles, Puerto Rican migrants have made a significant impact on New York, especially the Lower East Side. A small group of Puerto Rican community activists gave birth to a movement that reshaped lower Manhattan. The area was rechristened Loisaida, a name that did not simply reflect the Lower East Side's shifting demographics, but inspired Puerto Rican residents to claim the neighborhood as their own physical and conceptual space. The Loisaida movement was cultural as well as political. Activists used music, words, poems and street murals to promote the name. And the groundbreaking works of the Nuyorican Poets Café poets and Puerto Rican musicians like Eddie Palmieri and Joe Bataan also galvanized Loisaida's residents.4

See also: Immigration.
1 Frederick Binder and David Reimers, All the Nations Under Heaven: An Ethnic and Racial History of New York City (New York: Columbia University Press, 1995);Patricia A. Cooper, Once a Cigar Maker: Men, Women, and Work Culture in American Cigar Factories, 1900-1919 (Urbana: University of Illinois Press, 1987); Kenneth T. Jackson, ed., The Encyclopedia of New York City (New Haven: Yale University Press, 1995); Virginia Sanchez Korrol, From Colonia to Community: The History of Puerto Ricans in New York City, 1917-1948 (Westport, Conn.: Greenwood Press, 1985).
2 Frederick Binder and David Reimers, All the Nations Under Heaven; Patricia A. Cooper, Once a Cigar Maker; Kenneth T. Jackson, ed., The Encyclopedia of New York City ; Virginia Sanchez Korrol, From Colonia to Community.
3 Frederick Binder and David Reimers, All the Nations Under Heaven; Patricia A. Cooper, Once a Cigar Maker; Kenneth T. Jackson, ed., The Encyclopedia of New York City ; Virginia Sanchez Korrol, From Colonia to Community; Christopher Mele, Selling the Lower East Side: Culture, Real Estate, and Resistance in New York City (Minneapolis: University of Minnesota Press, 2000).
4 Liz Sevcenko, "Making Loisaida: Placing Puertorriquenidad in Lower Manhattan," Mambo Montage: The Latinization of New York, eds. Agustin Lao-Montes and Arlene Davila (New York: Columbia University Press, 2001), 293-314.
* It should be noted, however, that Angelo Gambino, who came over to New York with Josephine Baldizzi's father, remembers paying something like $7-8 per month for their apartment at 97 Orchard Street. The discrepancy between this figure and the one above reveals how uncertain we still are concerning the cost of rent at 97 Orchard Street.

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